Summary:High-speed digital SLR for professionals. It has a unique sensor size mid-way between APS-C and full frame, which puts it at a slight disadvantage to the Nikon D3s, though the Nikon only shoots standard HD movies.
Summary:Second-generation version of Nikon's original full-frame D-SLR optimised for speed, with a 9fps continuous shooting speed (11fps in 'crop' mode) and a maximum ISO raised to 12800.
Summary:Full-frame digital version of Leica's classic rangefinder camera. The M9 is expensive and specialised, but the Leica brand is in a class apart in the world of photography.
Summary:The X1 combines a fixed focal length lens with an APS-C sensor in a top-quality body, though it works like a conventional hybrid rather than Leica's M-series rangefinders.
Summary:The 7D is designed for high-speed shooting and full HD movies. The video mode has full manual control, and the camera has an external microphone socket. It's one step up from the EOS 60D and one below the EOS 5D Mark II.
Summary:The cheaper and newer of Sony's two full-frame digital SLRs. It has the same 24-megapixel full-frame sensor but a reduced maximum shooting speed of 3fps rather than 5fps.
Summary:Super-compact Four Thirds SLR with great layout and design but hampered by an older 10-megapixel MOS sensor. The only digital SLR to use a classic rectangular design and barely larger than an SLR style hybrid.
Summary:Nikon's top ASP-C format DSLR and a development of the old D300, adding a faster continuous shooting speed and standard HD movies. The D300s has a tough alloy body and 150,000-shot shutter life, and is the cheapest of Nikon's professional models.
Summary:An SLR for enthusiasts, it's small, light, and well-designed, and the controls have a light but precise feel which is typical of Olympus's DSLRs. The 12-megapixel sensor delivers good colours and definition and the 14-42mm kit lens is very good too.
